Circular aperture shape with bright amber center fading through coral orange concentric rings to darker orange edges with a small black void at the center.

Amber to Coral Orange Aperture Smoke

30x30 cm / 12x12″
$50.00
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Circular aperture shape with bright amber center fading through coral orange concentric rings to darker orange edges with a small black void at the center.
Amber to Coral Orange Aperture Smoke

Amber to Coral Orange Aperture Smoke | Fine Art Poster

Fine Art Poster

$50.00

Artwork Story

Five concentric bands of amber and coral orange radiate outward from a small black void at the center. The rings pulse with density, each one shifting from warm yellow at the core toward deep orange-red at the outer edge. Edges dissolve into the black, no hard stops, just light losing itself gradually.

Tech Specs

Camera: NIKON Z 8

Lens: NIKKOR Z 24-70mm f/2.8 S

Focal length: 32mm

Exposure: 20s · f/9 · ISO 32

Original capture: 8,256 × 5,504 px (45.4 MP)

Final file: 9,467 × 9,467 px (89.6 MP)

Print size at 300 DPI: 31.6" × 31.6"

File type: TIFF 16-bit sRGB

File size: 512.9 MB

Fine Art Poster

Museum-quality giclée on 200gsm FSC-certified matte paper. Printed with a 12-color process that produces depth and color accuracy standard inkjet can’t match — no glass, no glare, just the image. The square format is designed to drop straight into any standard square frame, or hang unframed with a clip or poster rail.

  • 200gsm smooth matte finish, 0.26mm thick
  • FSC-certified paper, eco-responsible production
  • Ships flat in protective packaging
  • Available: 12×12", 20×20", 28×28"

Shipping & Production

Every order is produced on demand through Gelato’s global print network — meaning your piece is made near you, not shipped across an ocean.

Most orders arrive within 3–7 business days. You’ll receive tracking once your order ships. If anything arrives damaged, reach out and it will be made right.

How I make them

Each photo is unique, with its own placement of items, platter spin rate, charge time, variable focus, and exposure. Experimentation, and subsequent obsessive repetition, has led to some unexpected and beautiful combinations. Not a bad combo.

For the technical end of things, I use a Nikon Z8 to capture these images. The resolution is set to maximum, so I get a 45.7 megapixel RAW file straight out of camera, shot with a NIKKOR Z 24-70mm f/2.8 S. From there, I edit in Lightroom and apply its Super Resolution on each file, which brings the final image up to roughly 11,000 x 11,000 pixels at around 46 MB. That's a little over 119 megapixels, so more than enough to print these large. For printing, I deliver vibrant 16-bit sRGB TIF files that range in size from 100-950 mb.

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