A circular aperture with six concentric rings transitioning from coral on the outside through pink, olive green, and peach to a black center.

Coral to Olive Aperture Tight

iPhone 16 Pro Max
$50.00
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A circular aperture with six concentric rings transitioning from coral on the outside through pink, olive green, and peach to a black center.

Coral to Olive Aperture Tight | iPhone Case

iPhone Case

$50.00

Artwork Story

Five concentric rings of coral and olive rotate outward from a small black void at the center. The colors shift in alternating bands, warm coral, muted olive, soft cream, stacked close together with almost no gap between them. The rings sit dense against each other, edge fading into black at the outer boundary.

Tech Specs

Camera: NIKON Z 8

Lens: NIKKOR Z 24-70mm f/2.8 S

Focal length: 34mm

Exposure: 20s · f/9 · ISO 32

Original capture: 8,256 × 5,504 px (45.4 MP)

Final file: 10,616 × 10,616 px (112.7 MP)

Print size at 300 DPI: 35.4" × 35.4"

File type: TIFF 16-bit sRGB

File size: 644.9 MB

iPhone Case

A durable snap-on iPhone case featuring my glow-in-the-dark powder and long-exposure photography artwork.

  • Slim, lightweight fit
  • Hard outer shell for everyday protection
  • Gloss finish
  • Precise cutouts for ports and buttons
  • Supports wireless charging (depending on phone/model and charger)
  • Printed to order

Note: Appearance may vary slightly by phone model due to camera cutout and case dimensions.

Shipping & Production

Every order is produced on demand through my print partner, then packaged and shipped directly to you.

Production and delivery times vary by product type, destination, and carrier conditions.

Tracking is provided when available after shipment.

How I make them

Each photo is unique, with its own placement of items, platter spin rate, charge time, variable focus, and exposure. Experimentation, and subsequent obsessive repetition, has led to some unexpected and beautiful combinations. Not a bad combo.

For the technical end of things, I use a Nikon Z8 to capture these images. The resolution is set to maximum, so I get a 45.7 megapixel RAW file straight out of camera, shot with a NIKKOR Z 24-70mm f/2.8 S. From there, I edit in Lightroom and apply its Super Resolution on each file, which brings the final image up to roughly 11,000 x 11,000 pixels at around 46 MB. That's a little over 119 megapixels, so more than enough to print these large. For printing, I deliver vibrant 16-bit sRGB TIF files that range in size from 100-950 mb.

See the Studio

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